You can use this for landscape, portraits, and street photography. Telephoto lenses are enormous and will draw attention to yourself.Ī 50mm ‘nifty fifty’, however, is a great all-rounder. Wide-angles have more lens distortion and will create strange effects when used at close range.Ī telephoto lens is perfect for portraits or packshots but not great for street photography. It also gets you to recompose photos by walking.Ī wide-angle lens is perfect for landscape photography but not great for close-up or still life. You will spend more time thinking about each shot. Every time to do, you learn more about framing, distance, and a workable image. As it is a prime and not zoom lens, you need to move to get closer or further away from your subject. Photographers are always looking to get better at photographing their subjects. Two green filling station pumps shot with a 50mm ‘nifty fifty’ Train Your Photographic Eye It will fit into your camera bag much easier than those larger lenses.
#Lens studio sky lens portable#
The ‘nifty fifty’ lens is built to be easily portable and lightweight. Wide-angle lenses also have a lot of heavy glass in them. In the end, it all comes down to the photographer’s preference and budget.Įrgonomics are essential to photographers. This gets more important the longer you carry your gear.Ī zoom lens can be heavy due to the motors and extra glass. If you take a look at the range of focal lengths in this zoom lens, it might make more sense financially to get it instead of many different primes. However, keep in mind that sometimes owning only prime lenses with different focal lengths can cost the same amount as a premium travel range zoom.įor instance, Nikon’s latest 24-70 f/2.8 telephoto lens costs around seven times as much as a 50mm f/1.8 prime. Looking at the price, this is the most cost-effective prime lens. The Canon EF 50mm f/1.8 STM is one of the cheapest, if not the cheapest, autofocus prime lenses you can buy. The majority of these lenses are affordable. Perfect for shooting live music or indoor events, shallow depth of field is also what creates a bokeh effect. 50mm primes generally have a shallow depth of field because they feature wide aperture. Depth of field is created by combining the focal length and the aperture value of the lens. The wider the aperture, the brighter the image.Īpart from exposure, aperture also has an impact on the depth of field. Being an element of the exposure triangle, the aperture has great importance in your photography. Nifty fifty lenses offer wide aperture values, ranging from f/1.8 to f/1.2. Using a wider or telephoto lens will give you a different view, fitting more or less into the frame than the 50mm. When you see a scene you want to capture, the 50mm will capture it as similar to your vision as possible. Now that we know what makes a ‘nifty fifty’ lens let’s look at what makes them great. The Canon EF 50mm f/1.8 STM or Nikon AF-S Nikkor 50mm f/1.8G are perfect examples of the ‘nifty fifty’. They are also made from plastic than metal.
These lenses are on the cheaper end of the spectrum. This means low amounts of distortion and a similar field of view. The ‘fifty’ refers to the focal length.Ī fast 50mm lens is the closest you can get to the human eye. The ‘nifty’ part comes from a very wide aperture, under f/1.8. You can’t see the blinkies in Live View, so it’s nonetheless a good idea to examine for these after taking the picture, however in any other case utilizing Stay View with a histogram is lifeless simple.A nifty fifty is a fast 50mm lens. In handbook mode, flip the shutter pace dial till the histogram looks proper. In automated modes, just turn the exposure-compensation dial till the histogram is in the suitable place, with the brightest pixels near, but not touching, the right edge. With this histogram displayed in Reside View it’s easy to adjust the exposure earlier than taking the photograph. Hobbyists and professionals alike started to discover artistic methods to utilize this lens’ signature distortion.
#Lens studio sky lens movie#
This lens measured 8mm (the focal size) with an F/8 (the utmost aperture, or how large the shutter can open to permit light through to the digicam’s movie or sensor), and it brought fisheye photography to the buyer market. Different manufacturers followed swimsuit over the following a number of a long time, producing lenses with wider angles of view and better readability, with Nikon releasing the first interchangeable fisheye lens for 35mm cameras in 1962. Scientists may then use geometric rules to account for the distortion, permitting them to measure the distances between and sizes of objects captured in the image. Because the title implied, the lens was meant to capture vast swaths of the sky in one shot. Lens maker Beck of London produced the primary fisheye lens, labeled a “complete-sky lens,” in 1924 for contoh komposisi fotografi meteorologists and astronomers.
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